Super Musical Trip: Broadway After Dark — 4 nights
4 nights in New York with Chicago, The Book of Mormon, Hamilton. Night 2: Chicago at Ambassador Theatre. Night 3: The Book of Mormon at Eugene O'Neill Theatre. Night 4: Hamilton at Richard Rodgers Theatre. Arrival night is free; choose performance dates and times when booking.
Itinerary
New York
4 nights4 nights in New York
Arrive and settle in on night 1. Night 2: Chicago at Ambassador Theatre. Night 3: The Book of Mormon at Eugene O'Neill Theatre. Night 4: Hamilton at Richard Rodgers Theatre. Use the remaining time for your own New York plans. Depart after the 4-night stay. Accommodation, arrival transport and performance times are to be chosen.
Excursion 1 · Day 2
Taxi
Ambassador Theatre
Chicago on Broadway
Visit Ambassador Theatre for Chicago on night 2. Arrange transfers around your accommodation and the chosen performance.
Activities
Chicago on Broadway
Day 1
Go back by taxi
Excursion 2 · Day 3
Taxi
Eugene O'Neill Theatre
The Book of Mormon on Broadway
Visit Eugene O'Neill Theatre for The Book of Mormon on night 3. Arrange transfers around your accommodation and the chosen performance.
Activities
The Book of Mormon on Broadway
Day 1
Go back by taxi
Excursion 3 · Day 4
Taxi
Richard Rodgers Theatre
Hamilton on Broadway
Visit Richard Rodgers Theatre for Hamilton on night 4. Arrange transfers around your accommodation and the chosen performance.
Activities
Hamilton on Broadway
Day 1
Go back by taxi
Broadway’s appetite for ambition, scandal and uncomfortable laughter gives this theatre break a strong personality. Chicago explores celebrity through jazz and dance; The Book of Mormon uses deliberately provocative satire; Hamilton turns political rivalry and legacy into musical drama. Their different approaches make the combination more interesting than three evenings of the same kind of entertainment.
This is a trip for people who want the shows to become an ongoing conversation. You can compare how movement, comic timing and musical language change the way a story is told, while letting each production stand on its own. The Book of Mormon’s offensive language and religious satire make the selection best suited to travellers who actively enjoy irreverent comedy.
New York’s daytime hours provide a counterpoint: follow your own appetite for food, art or exploration, and leave room to arrive at the theatre ready to pay attention. The appeal is the immersion of a theatre holiday with enough freedom to enjoy the city between performances.